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Why Ben O’Brien is as enthusiastic as ever about illustration

by Posted on February 19, 2026
SOCIAL MEDIA
Illustrations

SWC’s Louise Sloper on the typography trick that most designers get backwards

by Posted on February 19, 2026
SOCIAL MEDIA
Illustrations

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark

by Posted on February 18, 2026
SOCIAL MEDIA
Illustrations

The best new typefaces for February 2026

by Posted on February 18, 2026
SOCIAL MEDIA
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Why Ben O’Brien is as enthusiastic as ever about illustration
Posted on February 19, 2026
by
Illustrations

Why Ben O’Brien is as enthusiastic as ever about illustration

Ben has been creating spot illustrations for Martin Coul's podcast, The Hushed The leading British illustrator on how he's adapting to the new realities of...

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SWC’s Louise Sloper on the typography trick that most designers get backwards

SWC’s Louise Sloper on the typography trick that most designers get backwards

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark

What makes a freelancer indispensable? The answer might not be what you think

What makes a freelancer indispensable? The answer might not be what you think

The best new typefaces for February 2026

The best new typefaces for February 2026

SWC’s Louise Sloper on the typography trick that most designers get backwards
Posted on February 19, 2026
by
Illustrations

SWC’s Louise Sloper on the typography trick that most designers get backwards

Louise Sloper. Portrait by Rankin The executive creative director of SWC and TypoCircle chair shares hard-won lessons from the Bacardi Untameable campaign… including when you...

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More like this

Why Ben O’Brien is as enthusiastic as ever about illustration

Why Ben O’Brien is as enthusiastic as ever about illustration

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark

What makes a freelancer indispensable? The answer might not be what you think

What makes a freelancer indispensable? The answer might not be what you think

The best new typefaces for February 2026

The best new typefaces for February 2026

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark
Posted on February 18, 2026
by
Illustrations

How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark

Graphic artist Anthony Burrill discusses building the War Child Pavilion at Glastonbury Festival, the importance of creative freedom, and making work that actually says something....

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More like this

Why Ben O’Brien is as enthusiastic as ever about illustration

Why Ben O’Brien is as enthusiastic as ever about illustration

SWC’s Louise Sloper on the typography trick that most designers get backwards

SWC’s Louise Sloper on the typography trick that most designers get backwards

What makes a freelancer indispensable? The answer might not be what you think

What makes a freelancer indispensable? The answer might not be what you think

The best new typefaces for February 2026

The best new typefaces for February 2026

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  • Why Ben O’Brien is as enthusiastic as ever about illustration
  • SWC’s Louise Sloper on the typography trick that most designers get backwards
  • How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark
  • The best new typefaces for February 2026
  • What makes a freelancer indispensable? The answer might not be what you think

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