For the first in a series of designer collaborations, Balmoral Defender tapped the Brooklyn agency to create something that feels more fashion editorial than car commercial… complete with a dual-logo system, edition numbering and a film shot across Brooklyn and Tribeca.
Fashion and automotive collaborations often don’t go much deeper than a logo swap and a limited colour palette. The Todd Snyder x Balmoral Defender project, branded Edition 001: City Black, is a deliberate attempt to change all that.
It’s the first in a planned series where Balmoral Defender – a company that restores classic Land Rover Defenders to what it calls The Balmoral Standard – pairs with designers not as endorsers but as creative authors. For this opening chapter, Brooklyn-based agency MLTI NYC was brought in to build the whole brand world from scratch, bridging British restoration craft and American tailoring under one idea: “ruggedly refined”.
The identity begins with a dual logo system. A clean sans-serif wordmark sets a contemporary luxury tone, while a secondary script logo adds a more nostalgic, heirloom-like feel, appearing mostly in editorial contexts.
“Every creative decision was informed by the tension of utility and luxury,” says Kristen Shenk, founder and creative director of MLTI NYC.
Because Balmoral’s model is chapter-based… with more designer collaborations to follow… the system had to work beyond this single release. “We had to make sure the logo, collaboration lockups and type system were future-proofed and adaptable enough to apply to future collections,” Kristen explains.
That thinking extends to the typography. Tracked-out Gothic sans lettering and bold numerals give edition numbers a quiet authority – Edition No. 01 / 10 reads like a printmaker’s signature, reinforcing the sense of a limited body of work.
For the photography and film, MLTI ditched the usual automotive playbook — no pristine studio floors, no hyper-polished CGI. Instead, the car was shot in a Brooklyn warehouse, industrial bones left exposed.
“In the car industry, luxury is often presented as shiny, bright lights and perfectly retouched photography to the point of reading CGI,” says Kristen. “We intentionally chose a more editorial style — the warehouse setting and the textures of the tarp and floor against the pristine car added a rugged edge while still letting the luxury come through.”
The setting makes sense given what both brands are about. Todd Snyder draws from Savile Row tailoring, vintage military references and American workwear. Balmoral Defender restores classic Defenders through a meticulous process it calls The Balmoral Standard. Raw concrete and exposed steel sit comfortably between those two worlds.
The campaign film takes things further, following a character MLTI calls the “rugged gentleman” through Tribeca’s cobblestones and the industrial edges of East Williamsburg. It plays out as an editorial day-in-the-life rather than a performance-driven car commercial.
“The film undoubtedly heroises the car, but in the context of a ‘day in the life’ of our character,” says Kristen. “We wanted to create a world that leaned more toward fashion editorial than traditional automotive.”
The car is always right there but never isolated. It exists within a wardrobe, a city, a mood. Quick, staccato cuts spotlight interior stitching, exterior detailing and considered finishes, but the emphasis stays on atmosphere over acceleration.
What MLTI has built here goes beyond a single campaign. The visual system, the chapter-based structure, the editorial tone – it all gives Balmoral Defender a framework that can grow with each new collaboration. Edition 001 is just the opening page.
