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How Kent Wood pivoted to motion design at 30, and what he’s learned so far
Posted on September 9, 2026
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Illustrations

How Kent Wood pivoted to motion design at 30, and what he’s learned so far

The founder of Kwoo Studio discusses his career pivot, his move to another continent, and his approach to self-promotion. Right now, many of us are...

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MOKSi gives GiftTrees the confidence to be both good and profitable

MOKSi gives GiftTrees the confidence to be both good and profitable

Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world

Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world

Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects

Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects

McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage

McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage

Why a Belfast band used 100 dishes of mould to make their album cover
Posted on September 9, 2026
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Illustrations

Why a Belfast band used 100 dishes of mould to make their album cover

Thibault Barillon of Robocobra Quartet explain why he grew petri dishes of fungus to illustrate their 100-track release. When I was a student, I shared...

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More like this

MOKSi gives GiftTrees the confidence to be both good and profitable

MOKSi gives GiftTrees the confidence to be both good and profitable

Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world

Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world

Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects

Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects

McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage

McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage

How Form solved the classic two-logo lockup problem for British Cycling and its sponsor, Lloyds
Posted on September 9, 2026
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Illustrations

How Form solved the classic two-logo lockup problem for British Cycling and its sponsor, Lloyds

By building two brands into the typography upfront, creative director Alex Andlaw explains, the issue never arose in the first place. It's a dilemma every...

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More like this

MOKSi gives GiftTrees the confidence to be both good and profitable

MOKSi gives GiftTrees the confidence to be both good and profitable

Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world

Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world

Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects

Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects

McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage

McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage

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TOP Posts

  • MOKSi gives GiftTrees the confidence to be both good and profitable
  • Design Bridge and Partners turns Leone’s Turin sweet factory into a Willy Wonka world
  • Illustrator Rosa Snijders finds the softness in grief, debt and all of life’s heavy subjects
  • McLaren evolves its identity with a wordmark inspired by Bruce McLaren’s family garage
  • No bag? No problem: Aldi unveils a new jacket that transforms into a shopping bag

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Copyright © 2026 Fascinate city.
Theme: Anecdote Lite By WeDevStudios. Powered by WordPress.