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Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’
Posted on June 22, 2026
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Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’

The Enough and Fuzzy Feelings director and filmmaker returns to short filmmaking with a tender, funny and increasingly unhinged portrait of people who just want...

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How do you stay visible as a creative, when you’d rather crawl up and die?

How do you stay visible as a creative, when you’d rather crawl up and die?

Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness

Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness

How to do Cannes Lions without a festival pass: our pick of the fringe

How to do Cannes Lions without a festival pass: our pick of the fringe

A fully stocked corner store is now floating in Toronto’s harbour

A fully stocked corner store is now floating in Toronto’s harbour

A fully stocked corner store is now floating in Toronto’s harbour
Posted on June 19, 2026
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Illustrations

A fully stocked corner store is now floating in Toronto’s harbour

Artists Trevor Wheatley and Cosmo Dean, with design studio Puncture, have moored an entire convenience store on Lake Ontario – glowing, solar-powered and just out...

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More like this

How do you stay visible as a creative, when you’d rather crawl up and die?

How do you stay visible as a creative, when you’d rather crawl up and die?

Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness

Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness

How to do Cannes Lions without a festival pass: our pick of the fringe

How to do Cannes Lions without a festival pass: our pick of the fringe

Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’

Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’

Why your creative eye is the most valuable thing in the studio right now
Posted on June 19, 2026
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Illustrations

Why your creative eye is the most valuable thing in the studio right now

Now that anyone can make content in seconds, taste has become the most valuable asset. That means the tools worth using are the ones that...

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More like this

How do you stay visible as a creative, when you’d rather crawl up and die?

How do you stay visible as a creative, when you’d rather crawl up and die?

Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness

Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness

How to do Cannes Lions without a festival pass: our pick of the fringe

How to do Cannes Lions without a festival pass: our pick of the fringe

Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’

Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’

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TOP Posts

  • Regular Practice gives whole-food brand Frood an identity built for joy, not worthiness
  • How do you stay visible as a creative, when you’d rather crawl up and die?
  • How to do Cannes Lions without a festival pass: our pick of the fringe
  • Anna Mantzaris on Please, her stop-motion ode to neediness, and getting Stellan Skarsgård to play ‘Winston’
  • A fully stocked corner store is now floating in Toronto’s harbour

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Copyright © 2026 Fascinate city.
Theme: Anecdote Lite By WeDevStudios. Powered by WordPress.