After losing commissions to AI, the stop-motion animator started posting her hand-drawn work online and found a community of like-minded people instead. "I see myself...
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Why a Belfast band used 100 dishes of mould to make their album cover
Thibault Barillon of Robocobra Quartet explain why he grew petri dishes of fungus to illustrate their 100-track release. When I was a student, I shared...
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How Rob Farmer turns half-baked sketches into New York Times covers
The Melbourne-based motion designer discusses procedural software, editorial deadlines and why perfectionism is the enemy of good work getting seen. "You can look at anything...